About-
24th International Symposium
Digital Art, and Online Gallery - D-ART
IV2020_ Vienna 24th International Conference
Information Visualisation – PART-I@Vienna
28 - 31 July 2020
Technische Universität Wien - TU Wien ● Vienna ● Austria
http://www.graphicslink.co.uk/IV2020/index-at.html
submission portal: https://www.conftool.org/IV-austria-2020/
IV-2 2020_Melbourne 24th International Conference
Information Visualisation – PART-II@Melbourne
24 – 27 November 2020
Victoria University ● Melbourne ● Australia
http://www.graphicslink.co.uk/IV2020/index-au.html
submission portal: https://www.conftool.org/IV-australia-cgiv-2020/
A number of invited speakers and tutorial sessions will review current state-of-the-art developments and outline future directions. This embedded with the current research being undertaken in industry and in academia will provide coverage of the salient aspects and sub-areas of visualization and graphics. Such work will be presented in a series of symposia.
One of which is the 'DIGITAL ART' symposium and digital art gallery.
Authors are invited to send their extended abstract or the full paper to the chairperson of symposium.
Artists are invited to submit their current digital artwork for exhibition in iV2020 - DIGITAL ART GALLERY.
Papers presenting original research with the theme of 'DIGITAL ART' are being sought. Suggested topics include (but are not limited to):
· Preparing artists to learn programming, preparing programmers to learn aesthetics
· Interrelationship between disciplines. How computer graphics can influence computer
science and software engineering
· Issues in digital art: Technical challenge and artistic quality, criticism, perception in the
field
· Art and visualization of spatial, tonal, and temporal domains: Industry, Academia,
Media
· New media arts approaches within medical science and technology, Nano Art
· Game and interactive multimedia
· Information technology in visual arts and culture, visual art for IT Visualization
· Cognitive Science issues, digital art and visual learning: critical and abstract thinking,
problem finding
· The role of digital art and graphics in production of web video for marketing
· Digital fabrication methods. Process (including collaborative efforts)
· History of computer graphics and art
· Copyright (representation through a detail, watermark, resolution, etc.)
Symposium and Gallery of Digital Art, D-ART Liaison
Anna Ursyn, Chair D-ART, University of Northern Colorado, USA
D-Art Symposium and Online Gallery of Digital Art Advisory, Programme and reviewing committee:
Dena Eber, Bowling Green State University, OH
Ernest Edmonds, University of Technology, Sydney, AU
Marla Schweppe, Rochester Institute of Technology, NY
Daniela Sirbu, University of Lethbridge, Canada
LiQuin Tan, Rutgers University, NJ
Anna Ursyn, University of Northern Colorado
James Faure Walker, CCW Graduate School, University of the Arts, London
Preconference course: Doctoral Research Workshop
Research Tutorial: Scientific Writing workshop
Researcher Link Forum: Research Project Collaboration
Focus Group Publication: Post conference publication
All enquiries should be addressed to Anna Ursyn or
conference coordinator:
Prof. Anna Ursyn
REF: D-ART
School of Art and Design
University of Northern Colorado
Greeley CO 80639, USA